In This Section
AES Store
- Learn From The Experts:

Neil Muncy "Early Multitrack Recording"- Oral History Project Gallery
- Other AES Publications
Journal Forum
Virtual Localization by Blind Persons - July 2012
1 comment
Effect of Spatial Location and Presentation Rate on the Reaction to Auditory Displays - July 2012
1 comment
Watermark-Aided Pre-Echo Reduction in Low Bit-Rate Audio Coding - June 2012
1 comment
AES E-Library
History of Spatial Coding
[feature article] The goal of spatial audio coding and reproduction is to convey some measure of the dimensional aspects of a sound event to the end listener, preferably in a practical and cost-effective manner. The importance of the spatial aspects of sound has been clear since before the dawn of audio reproduction, as evidenced, for example, in the design of concert halls. So it is not surprising that concern for the accurate capture, transmission, and reproduction of the spatial components of a sound event goes back almost to the birth of the audio industry as we know it today. Yet even now, completely accurate spatial reproduction remains elusive, and is perhaps the largest single imperfection in modern audio technology.
Click to purchase paper or login as an AES member. If your company or school subscribes to the AES Journal then you can look for this paper in the institutional version of the Online Journal. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.
Learn more about the AES E-Library
Start a discussion about this paper!






