Journal Forum

Sound Board: High-Resolution Audio - October 2015

Synchronized Swept-Sine: Theory, Application, and Implementation - October 2015

Effect of Microphone Number and Positioning on the Average of Frequency Responses in Cinema Calibration - October 2015
1 comment

Access Journal Forum

AES E-Library

Digital Rights Management

Document Thumbnail

[feature article] In one sense digital rights management, or DRM, has nothing to do with audio. However, rather in the same way that metadata (covered in the July/August issue) is data that relates to or describes audio information, DRM is concerned with the means by which the intellectual property rights in audio information is managed in electronic-commerce systems. Its importance cannot be nderestimated, as it is the primary means by which owners of audio content hope to get paid in the fast-growing world of e-commerce.

JAES Volume 51 Issue 9 pp. 855-860; September 2003
Publication Date:

Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!

This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.

Learn more about the AES E-Library

E-Library Location:

Start a discussion about this paper!

Facebook   Twitter   LinkedIn   Google+   YouTube   RSS News Feeds  
AES - Audio Engineering Society