Clean Audio for TV broadcast: An Object-Based Approach for Hearing-Impaired Viewers - April 2015
Audibility of a CD-Standard A/DA/A Loop Inserted into High-Resolution Audio Playback - September 2007
Sound Board: Food for Thought, Aesthetics in Orchestra Recording - April 2015
The Air and Wood Modes of the Violin
It is known today that the tone and playing qualities of a violin are based on unique combinations of an air subsystem (the cavity modes) and a mechanical subsystem (the body modes). Much of the research conducted over the past 20 years on the mechanisms underlying the tonal effects of frequency relationships between two strong cavity modes and three important body modes of the violin below 1 kHz has been collected. The following topics are discussed and documented: 'playing in' a violin; long-term vibration; violins suitable for solo, orchestra, chamber music, and 'hausmusik'; body dimensions and viola tone; the basic concept for the new violin family; fingerboard thinning, tailpiece adjustments, and methods of working with these for desired results.
Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.