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After the basic technical problems of audio have been resolved, the new aim was High Fidelity: dynamic, distortion-free, flat. Since lifelike reproduction at home proved difficult to obtain, sometimes even undesirable, audio is now used to create a specific atmosphere in the listener, by unflattening, distorting, and psychoacoustically processing the sound. Recently it has been found that binaural and other techniques can turn the listener from an outside observer of, into an apparent participant in the acoustic event.
Author (s): Sippl, Fritz;
Affiliation:
AKG Acoustics, Vienna, Austria
(See document for exact affiliation information.)
AES Convention: 1r
Paper Number:2101
Publication Date:
1984-08-06
DOI:
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Sippl, Fritz; 1984; Some Psychoacoustic Considerations for Recording, Stage and Broadcasting [PDF]; AKG Acoustics, Vienna, Austria; Paper 2101; Available from: https://aes.org/publications/elibrary-page/?id=11653
Sippl, Fritz; Some Psychoacoustic Considerations for Recording, Stage and Broadcasting [PDF]; AKG Acoustics, Vienna, Austria; Paper 2101; 1984 Available: https://aes.org/publications/elibrary-page/?id=11653
@inproceedings{Sippl1984some,
title={{Some Psychoacoustic Considerations for Recording, Stage and Broadcasting}},
author={Sippl, Fritz},
year={1984},
month={aug},
booktitle={Journal of the Audio Engineering Society},
publisher={Paper 2101; AES Convention 1r; August 1984},
number={2101},
organization={AES},
}
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