With the introduction of stereo audio to previously monophonic broadcast mediums in mind, an examination of appropriate stereo microphone techniques is presented. The paper is also applicable to experienced stereo broadcasters, who may be interested in some new applications discussed herein. The subjects of where and how to employ stereo are addressed in detail, for use in the broadcast of music, documentary/feature, and sports programs, with emphasis on the topics of mono compatibility, stereo imaging, M-S stereophony monitoring.
https://www.aes.org/e-lib/browse.cfm?elib=11609
Click to purchase paper as a non-member or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $33 for non-members and is free for AES members and E-Library subscribers.
Learn more about the AES E-Library
Start a discussion about this paper!
