A case history of a large stage production is presented. The stage-area audio is emphasized. Pressure-zone, shotgun, wireless and free-field microphone placement and usages are discussed, with their mixing techniques. Mixing live and taped material is covered. On-stage, wings, and back hallway monitoring and mixing is also discussed.

Author: Laminack, B.
Affiliation: In Touch Ministries, Atlanta, GA
AES Convention: 76 (October 1984) Paper Number: 2152
Publication Date: October 1, 1984 Import into BibTeX
Subject: Sound Reinforcement
Permalink: https://www.aes.org/e-lib/browse.cfm?elib=11603

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