AES Store

Journal Forum

Audibility of a CD-Standard A/DA/A Loop Inserted into High-Resolution Audio Playback - September 2007
10 comments

Reflecting on Reflections - June 2014
1 comment

Quiet Thoughts on a Deafening Problem - May 2014
1 comment

Access Journal Forum

AES E-Library

Room-acoustical and Technological Aspects for Mulichannel Recordings of Classic Music

The more the quality increases on the part of studio engineering - i.e. microphones, pick-up technology, delivery, storage - the more some weakness is evident at the beginning and the end of the transmission chain: (a) Recording studios for classical music mostly have not the required quality parameters for the artists and the information to be recorded. A sone recommandable example the large recording hall in Berlin and its charcteristic are discussed. Experiences with multichannel sound productions in this hall are covered. (b) On the other side, standard listening conditions of control rooms - see AES document TD 1001.0.01-05 'Multichannel surround sound systems' - have to be considered from time to time to show open questions and the uncertain situation at home.

Author:
AES Convention: Paper Number:
Publication Date:
Subject:

Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!

This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.

Learn more about the AES E-Library

E-Library Location:

Start a discussion about this paper!


 
Facebook   Twitter   LinkedIn   Google+   YouTube   RSS News Feeds  
AES - Audio Engineering Society