In This Section
AES Store
- Learn From The Experts:

Phil Ramone "Music Production - Mobile version"- Oral History Project Gallery
- Other AES Publications
Journal Forum
Virtual Localization by Blind Persons - July 2012
1 comment
Effect of Spatial Location and Presentation Rate on the Reaction to Auditory Displays - July 2012
1 comment
Watermark-Aided Pre-Echo Reduction in Low Bit-Rate Audio Coding - June 2012
1 comment
AES E-Library
Acoustic Requirements of Stereo Recording Studios
The need for a high degree of acoustic isolation between multiple channel pickups in the recording of stereophonic sounds has emphasized the need for not only close up directional microphone and lower reverberation times but a more careful consideration of the disposition and orientation of all reflecting surfaces which give rise to early or short time reflections in the environs of the microphone pickups, the original sound sources and performers. Accordingly, this paper reviews the basic requirements of good studio acoustic design from the viewpoint of the control of the early reflected energy as well as the control of the direct and reverberant energy components in the studio space. The paper also includes comments on control room acoustics and monitoring loudspeaker placement.
Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.
Learn more about the AES E-Library
Start a discussion about this paper!






