Ambiophonic surround systems reproduce both existing and new 2-channel music discs with unprecedented spatial realism. This paper extends this binaural technology concept to recording. It describes microphone, live recording and studio monitoring techniques that take advantage of the foreknowledge that playback will be Ambiophonic to produce music recordings of exceptional "you-are-there" concert-hall realism, fortuitously and optimally, still needing just two media channels.

Author: Glasgal, Ralph
Affiliation: Ambiophonics Institute, Rockleigh, NJ
AES Conference: 19th International Conference: Surround Sound - Techniques, Technology, and Perception (June 2001)
Paper Number: 1874
Publication Date: June 1, 2001 Import into BibTeX
Subject: Surround Sound
Permalink: https://www.aes.org/e-lib/browse.cfm?elib=10115

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