Natural 5.1 recording of orchestra elements, soloists, room acoustics, audience requires adequate stereophonic representation of direct sound, early and late reflections, reverberation. Particular concepts are proposed to create directional clarity, spatial depth, spatial impression, envelopment, ambient atmosphere, as well as directional stability within the sweet area. Corresponding microphone configurations, mixing methods and signal processing tools are offering realization of a wide range of spatial sound design ideas.

Author: Theile, Günther
Affiliation: IRT, München, Germany
AES Conference: 19th International Conference: Surround Sound - Techniques, Technology, and Perception (June 2001)
Paper Number: 1904
Publication Date: June 1, 2001 Import into BibTeX
Subject: Surround Sound
Permalink: https://www.aes.org/e-lib/browse.cfm?elib=10085

Click to purchase paper as a non-member or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!

This paper costs $33 for non-members and is free for AES members and E-Library subscribers.

Learn more about the AES E-Library

E-Library Location: (CD aes18)   /intl2001/2001sc06/1904.pdf

Start a discussion about this paper!