Based on results from previous research, as well as a new series of experimental recordings, a technique for three-dimensional orchestral music recording is introduced. This technique has been optimized for 22.2 Multichannel Sound, a playback format ideal for orchestral music reproduction. A novel component of the recording technique is the use of dedicated microphones for the bottom channels, which vertically extend and anchor the sonic image of the orchestra. Within the context of highly dynamic orchestral music, an ABX listening test confirmed that subjects could successfully differentiate between playback conditions with and without bottom channels.

Authors: Howie, Will; King, Richard; Martin, Denis
Affiliations: McGill University, Montreal, QC, Canada; Centre for Interdisciplinary Research in Music Media and Technology (CIRMMT), Montreal, Quebec, Canada(See document for exact affiliation information.)
AES Convention: 141 (September 2016) Paper Number: 9612
Publication Date: September 20, 2016 Import into BibTeX
Subject: Spatial Audio: Production
Permalink: https://www.aes.org/e-lib/browse.cfm?elib=18416

Click to purchase paper as a non-member or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!

This paper costs $33 for non-members and is free for AES members and E-Library subscribers.

Learn more about the AES E-Library

E-Library Location:   /conv/141/9612.pdf

Start a discussion about this paper!