This article concerns the separation of the music+effects (ME) track from a movie sountrack, given the observation of several international versions of the same movie. The approach chosen is strongly inspired from existing stereo audio source separation and especially from spatial filtering algorithms such as DUET that can extract a constant panned source from a mixture very efficiently. The problem is indeed similar for we aim here at separating the ME track, which is the common background of all international versions of the movie soundtrack. The algorithm has been adapted to a number of channels greater than 2. Preprocessing techniques have also been proposed to adapt the algorithm to realistic cases. The performances of the algorithm have been evaluated on realistic and synthetic cases.

Authors: Liutkus, Antoine; Leveau, Pierre
Affiliations: Audionamix, Paris, France; Télécom ParisTech, Paris, France(See document for exact affiliation information.)
AES Convention: 128 (May 2010) Paper Number: 8031
Publication Date: May 1, 2010 Import into BibTeX
Subject: Audio Processing—Analysis and Synthesis of Sound
Permalink: https://www.aes.org/e-lib/browse.cfm?elib=15328

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