In the studies of artificial reverberations, the focus is usually on recreating the natural reverberation that can be heard in the real environments. However, little attention was payed to the evaluation of \emph{useful ranges} in application of the artificial reverberation in music production. The focus of this paper is to discuss and evaluate three artificial reverberation algorithms intended for headphone reproduction of music, and to propose iso-usefulness contour on those algorithms for different types of musical sounds.

Author: Marui, Atsushi
Affiliation: Tokyo National University of Fine Arts and Music
AES Convention: 123 (October 2007) Paper Number: 7232
Publication Date: October 1, 2007 Import into BibTeX
Subject: Perception
Permalink: https://www.aes.org/e-lib/browse.cfm?elib=14290

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