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A Ground Plane Measurement Comparison Between Two Floor-Standing Loudspeaker Systems: A Conventional Three-Way Studio Monitor vs. A Ground-Plane Constant Beamwidth Transducer (CBT) Line Array

 

A 3D Sound Localization System Using Two Side Loudspeaker Matrices

 

Source-Distance Based Panning Algorithm (SDAP) for 3D Surround Sound

 

STEAK: Backward-Compatible Spatial Telephone Conferencing for Asterisk

 

Process of HRTF Individualization by 3D Statistical Ear Model

 

Evaluation of Portable Loudspeakers Using Virtual Listening Test

 

A Broadcast Film Leader with Audio Channel, Frequency, and Synchronism Test Properties

 

Live vs. Edited Studio Recordings: What Do We Prefer?

 

Rondo360: Dysonics’ Spatial Audio Post-Production Toolkit for 360 Media

 

Mixing Hip-Hop with Distortion

 

Smart Audio Is the Way Forward for Live Broadcast Production

 

Towards Improving Overview and Metering through Visualization and Dynamic Query Filters for User Interfaces Implementing the Stage Metaphor for Music Mixing

 

A Perceptual Approach to Object-Based Room Correction

 

The Physical Limit of Microspeakers

 

Line Arrays: a General Study of Space Dependent Frequency Response

 

SAE Parametric Equalizer Training: Development of a Technical Ear Training Program Using Max

 

Implementation and Demonstration of Applause and Hand-Clapping Feedback System for Live Viewing

 

Preliminary Experimental Study on Deep Neural Network-Based Dereverberation

 

JSAP: A Plugin Standard for the Web Audio API with Intelligent Functionality

 

Digital Waveguide Network Reverberation in Non-Convex Rectilinear Spaces

 

Max as an Interactive, Multi-Modal Learning and Teaching Tool for Audio Engineering

 

A Real-Time Simulation Environment for Use in Psychoacoustic Studies of Aircraft Community Noise

 

Blind VST: A Perceptual Testing Tool for Professional Mixing Evaluation