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Accuracy of ITU-R BS.1770 Algorithm in Evaluating Multitrack Material

An Online Resource for the Subjective Comparison of Vocal Microphones

Perception of Distance and the Effect on Sound Recording Distance Suitability for a 3-D or 2-D Image

Modeling Auditory-Haptic Interface Cues from an Analog Multi-line Telephone

Tailoring Practice Room Acoustics to Student Needs

Acoustic Properties of Small Practice Rooms Where Musicians Can Practice Contentedly: Effect of Reverberation on Practice

Bellamy Baffle Array: A Multichannel Recording Technique to Improve Listener Envelopment

A Comparison of Highly Configurable CPU- and GPU-Based Convolution Engines

Multichannel Audio Processor which Adapts to 2-D and 3-D Loudspeaker Setups

A Comparison of Recording, Rendering, and Reproduction Techniques for Multichannel Spatial Audio

The Reactive Source: A Reproduction Format Agnostic and Adaptive Spatial Audio Effect

Teaching Critical Thinking in an Audio Production Curriculum

Sync-AV – Workflow Tool for File-Based Video Shootings

Implementation of an Interactive 3-D Reverberator for Video Games Using Statistical Acoustics

Printable Loudspeaker Arrays for Flexible Substrates and Interactive Surfaces

Nonlinear Distortion Measurement in Audio Amplifiers: The Perceptual Nonlinear Distortion Response

EspGrid: A Protocol for Participatory Electronic Ensemble Performance

A Microphone Technique for Improved Stereo Image, Spatial Realism, and Mixing Flexibility: STAGG (Stereo Technique for Augmented Ambience Gradient)

Parametric Horn Design

Integration of Touch Pressure and Position Sensing with Speaker Diaphragms

Power Entry—Where High Performance Design Begins

Design and Construction of the Tri-Baffle: A Modular Acoustic Modification System for Task-Based Mixing Experiments

Another View of Distortion Perception

How Can Sample Rates Be Properly Compared in Terms of Audio Quality?