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New Developments in Music Information Retrieval
 
Music Listening in the Future: Augmented Music-Understanding Interfaces and Crowd Music Listening
 
Semantic Speech Tagging: Towards Combined Analysis of Speaker Traits
 
SyncTS: Automatic Synchronization of Speech and Text Documents
 
Extraction of Spectro-Temporal Speech Cues for Robust Automatic speech Recognition
 
Automatic Recognition and Parametrization of Frequency Modulation Techniques in Bass Guitar Recordings
 
Note Clustering Based on 2-D Source-Filter Modeling for Underdetermined Blind Source Separation
 
Pitch Estimation by the Pair-Wise Evaluation of Spectral Peaks
 
Parametric Coding of Audio Objects: Technology, Performance, and Opportunities
 
Informed Audio Source Separation from Compressed Linear Stereo Mixtures
 
Compressive Sensing for Music Signals: Comparison of Ttransforms with Coherent Dictionaries
 
"Sparsification" of Audio Signals Using the MDCT/IntMDCT and a Psychoacoustic Model—Application to Informed Audio Source Separation
 
Singing Voice Separation from Stereo Recordings Using Spatial Clues and Robust F0 Estimation
 
Influence of Phase, Magnitude and Location ofHarmonic Components in the Perceived Quality of Extracted Solo Signals
 
Expressivity in Musical Timing in Relation to Musical Structure and Interpretation: A Cross-Performance, Audio-Based Approach
 
Interactive Classification of Sound Objects for Polyphonic Electro-Acoustic Music Annotation
 
Adaptive Distance Measures for Exploration and Structuring of Music Collections
 
Analyzing Chroma Feature Types for Automated Chord Recognition
 
Surround Recording Based on a Coincident Pair of Microphones
 
A Knowledge Representation Framework for Context-Dependent Audio Processing
 
Improving a Multiple Pitch Estimation Method With AR Models
 
Polyphonic Music Transcription Using Weighted CQT and Non-Negative Matrix Factorization
 
Automatic Classification of Musical Pieces into Global Cultural Areas
 
Towards Context-Sensitive Music Recommendations Using Multifaceted User Profiles
 
Regression-Based Tempo Recognition from Chroma and Energy Accents for Slow Audio Recordings
 
Blind Estimation of Reverberation Time from Monophonic Instrument Recordings Based on Non-Negative Matrix Factorization
 
Observing Uncertainty in Music Tagging by Automatic Gaze Tracking
 
A Psychoacoustic Approach to Wave Field Synthesis
 
Comparative Evaluation and Combination of Audio Tempo Estimation Approaches
 
Tempo Estimation from Urban Music Using Non-Negative Matrix Factorization
 
A Musical Source Separation System Using a Source-Filter Model and Beta-Divergence Non-Negative Matrix Factorization
 
Design of a Karaoke System for Commercial Stereophonic Audio Tracks Aiming a Musical Learning Aid for Amateur Singers
 
Geometric Source Separation Method of Audio Signals Based on Beamforming and NMF
 
AES - Audio Engineering Society