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Building Interactive Networked Musical Environments Using q3osc

 

Precomputing Geometry-Based Reverberation Effects for Games

 

Fast and Reliable F0 Estimation Method Based on the Period Extraction of Vocal Fold Vibration of Singing Voice and Speech

 

An Efficient Implementation of 3-D Audio Engine for Mobile Devices

 

Design and Evaluation of Physically Inspired Models of Sound Effects in Computer Games

 

Approaches to Creating Real-Time Adaptive Music in Interactive Entertainment: A Musical Perspective

 

Game Audio Lab - An Architectural Framework for Nonlinear Audio in Games

 

Natural Transformation of Type and Nature of the Voice for Extending Vocal Repertoire in High-Fidelity Applications

 

Phya and VFoley, Physically Motivated Audio for Virtual Environments

 

How Players Listen

 

3-D Sound for 3-D Games - Beyond 5.1

 

Generating Meaningful Sound: Quantifying the Affective Attributes of Sound Effects for Real-Time Sound Synthesis in Audio-Visual Media

 

Building an OpenAL Implementation Using Ambisonics

 

Efficient Spatial Sound Synthesis for Virtual Worlds

 

Augmented Reality Audio for Location-Based Games

 

Localization Cues Affect Emotional Judgments – Results from a User Study on Scary Sound

 

SAOC for Gaming – The Upcoming MPEG Standard on Parametric Object Based Audio Coding

 

Retargetting Example Sounds to Interactive Physics-driven Animations

 

Binaural Reproduction Over Loudspeakers Using In-situ Measurements of Real Rooms – A Feasibility Study

 

An Analysis of Differences in Playback Levels Among In-Game Sound Levels, Game Start-up Sounds, and Reference Levels of Game Production Studios

 

Viable Distribution of Multichannel Audio-over-IP for Live and Interactive “Voice Talent”-Based Gaming Using High-Quality, Low-Latency Audio Codec Technology

 

Acoustic Dance Dance Revolution (DDR): An Automated Test Tool for 3-D Sound Perception Evaluation with Visually Impaired Users

 

An Improved Parametric Model for Perception-Based Design of Virtual Acoustics

 

Education and Training in Game Audio: A Curriculum for a Degree in Audio Design for Game Development

 

Genre-Specific Methodologies for Gameplay-Influenced Soundtracks

 

Mapping Sounds into Commands

 

Localization Quality Assessment in Source Separation-Based Upmixing Algorithms

 

Acoustic Impulse Response Interpolation for Multichannel Systems Using Dynamic Time Warping

 

Avoiding Tedium - Fighting Repetition in Game Audio

 

A Precise Sound Image Panning Method for Side Areas Using 5.1 Channel Audio Systems

 

Vowel-Based Voice Conversion and Its Application to Singing-Voice Manipulation

 

Generating a Spatial Average Reverberation Tail Across Multiple Impulse Responses

 

Performance Analysis and Scoring of the Singing Voice

 

Kaleivoicecope: Voice Transformation from Interactive Installations to Video Games