AES E-Library: Browse Entire Database

Please select a document to view:

Methods to Eliminate the Bass Cancellation between LFE and Main Channels

 

The Effect on Spatial Impression of the Configuration and Directivity of Three Frontal Microphones used in Multi-channel Stereophonic Recording

 

Recording Immersive 5.1/6.1/7.1 Surround Sound, Compatible Stereo, and Future 3D (with Height)

 

A Spatialised Sound Environment Synthesizer

 

Sound Field Processing System using Grouped Reflections Algorithm for Home Theater Systems

 

Artificial Reverberator to Control Location of Sound Source for Surround Audio System

 

Experimental 3D Sound Field Analysis with a Microphone Array

 

Influence of Picture on Impression of Three-Dimensional Multichannel Sound

 

Audiovisual Perception using Wave Field Synthesis in Combination with Augmented Reality Systems: Horizontal Positioning

 

Subjective Assessment of the Optimum Number of Loudspeaker Channels in Audio-Visual Applications using Large Screens

 

Modifications of the MPEG-4 AABIFS Perceptual Approach: Assessed for the Use with Interactive Audio-Visual Application Systems

 

Use of a High Spatial Resolution Microphone to Characterize the Early Reflections Generated by a WFS Loudspeaker Array

 

Evaluation of the Circular Harmonics Decomposition for WDAF-based Active Listening Room Compensation

 

Wave Field Synthesis using Multi-Actuator Panel: Further Steps to Optimal Performance

 

An Auralization Engine Adapting a 3D Image Source Acoustic Model to an Ambisonics Coder for Immersive Virtual Reality

 

Coherent Multichannel Emulation of Acoustic Spaces

 

Efficient State-Space Interpolation of HRTFs

 

Future Needs to Create Natural 3D Auditory Events via More Channel Headphones for MPEG Surround pPurposes

 

Spatial Encoding for Digital Waveguide Mesh Room Modeling Applications

 

Rendering Spatial Reverberation and Perception of Source Distance According to the Minimum-Phase Characteristics

 

MPEG Surround: The Forthcoming ISO Standard for Spatial Audio Coding

 

Internet Radio Surround: MPEG Surround over ISMA Ultravox

 

Overview of Coding Alternatives for Virtual Acoustic Opening Based Applications

 

Directional Audio Coding in Spatial Sound Reproduction and Stereo Upmixing

 

Design Criteria for High Quality Upmixers

 

Controlling the Perceived Spatial Orientation of a Reproduced Human Voice Source

 

Difference between Musicians and Sound Engineers in Estimation of Egocentric Source Distance in a Concert Hall Stereophonic Recording

 

Investigations of the Effect of Surround Microphone Setup on Room Perception

 

Investigating Contextual Dependency in a Pairwise Preference Choice Task

 

An Examination of the Influence of Musical Selection on Listener Preferences for Multichannel Microphone Technique

 

Implementation and Application of a Binaural Hearing Model to the Objective Evaluation of Spatial Impression

 

SpACE-Net – The Spatial Audio Creative Engineering Network