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Moving Virtual Source Perception in 2D Space

 

Disparity in Horizontal Correspondence of Sound and Source Positioning: The Impact on Spatial Presence for Cinematic VR

 

Lateral Listener Movement on the Horizontal Plane (Part 2): Sensing Motion through Binaural Simulation in a Reverberant Environment

 

Object-Based 3D Audio Production for Virtual Reality Using the Audio Definition Model

 

Virtually Replacing Reality: Sound Design and Implementation for Large Scale Room Scale VR Experiences

 

Crafting Cinematic High End VR Audio for Etihad Airways

 

Efficient, Compelling, and Immersive VR Audio Experience Using Scene Based Audio/Higher Order Ambisonics

 

Soundfield Navigation using an Array of Higher-Order Ambisonics Microphones

 

Immersive Audio Rendering for Interactive Complex Virtual Architectural Environments

 

Immersive Audio for VR

 

Streaming Immersive Audio Content

 

An Augmented Reality Audio Live Network for Live Electroacoustic Music Concerts

 

Spatial Auditory Feedback in Response to Tracked Eye Position

 

Perceptual Weighting of Binaural Information: Toward an Auditory Perceptual "Spatial Codec" for Auditory Augmented Reality

 

DeepEarNet: Individualizing Spatial Audio with Photography, Ear Shape Modeling, and Neural Networks

 

Adjustment of the direct-to-Reverberant-Energy-Ratio to Reach Externalization within a Binaural Synthesis System

 

Spatial Music, Virtual Reality, and 360 Media

 

Positioning of Musical Foreground Parts in Surrounding Sound Stages

 

The Soundfield as Sound Object: Virtual Reality Environments as a Three-Dimensional Canvas for Music Composition

 

XY-Stereo Capture and Up-Conversion for Virtual Reality

 

Augmented Reality Headphone Environment Rendering

 

Capturing and Rendering 360º VR Audio Using Cardioid Microphones