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Phil Ramone "Music Production - Mobile version"- Oral History Project Gallery
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Journal Forum
Virtual Localization by Blind Persons - July 2012
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Effect of Spatial Location and Presentation Rate on the Reaction to Auditory Displays - July 2012
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Watermark-Aided Pre-Echo Reduction in Low Bit-Rate Audio Coding - June 2012
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AES E-Library: Browse Entire Database
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- 3D Audio as an Information Environment
- The Ambiophone Derivation of a Recording Methodology Optimized for Ambiophonic Reproduction
- Ambiophonic Principles for the Recording and Reproduction of Surround Sound for Music
- Ambiophonics Reproduction of Different Stereo Recordings
- The analysis of multi-channel sound reproduction algorithms using HRTF data.
- Approach and Mixing Technique for Natural Sound Recording of Multichannel Audio
- Automatic Speaker Directivity Control for Soundfield Reconstruction
- Binaural Room Scanning and Binaural Room Modeling
- A challenge in multichannel music recording
- A Computer System for Investigating and Building Synthetic Auditory Spaces - Part II
- Counter-Tenor with Baroque Ensemble in 5-Channel Surround
- Designing Surround Sound Facilities for Higher Education
- Discovering the Influence of Visual Stimuli on the Perception of Surround Sound Using Genetic Algorithms
- Encoding Spatial Information for Advanced Teleconferencing
- Enhancements of Room Simulation with Dynamic Cues Related to Source Position
- General Considerations on Audio Multi-Channel Recording
- A Hybrid Model for Simulating Diffused First Reflections in Two-Dimensional Synthetic Acoustic Environments
- Interaural time difference fluctuations: their measurement, subjective perceptual effect, and application in sound reproduction
- A method to convert stereo to multi-channel sound
- Microphones with Multi-channel Output
- Mixing within a 5.1 Surround Sound Field to Enhance an Acoustic Recording and to Enhance the Simulation of Acoustic Instruments using a MIDI Sound Source
- An MPEG-oriented platform for Wave Field Synthesis arrays of loudspeakers
- Multichannel Signal Processing Tools - differences to multiple single channel processing
- Multi-channel Sound Control Room in NHK - Design policy and guideline
- Multichannel Sound Recording of Music: Practical and Technical Aspects
- Natural 5.1 Music Recording Based on Psychoacoustic Principals
- A New Active Matrix Decoder for Surround Sound
- The Number of Loudspeaker Channels
- Optimization of Binaural Room Scanning (BRS): Considering inter-individual HRTF-characteristics
- Optimizing Surround Sound Systems
- PC Based Real-Time Multichannel Convolver for Ambiophonic Reproduction
- Practical Surround Sound Production Part-1: Radio Drama
- Practical Surround-Sound-Production - Part 2: TV-Documentaries
- The Psychoacoustics of Listening Area, Depth, and Envelopment in Surround Recordings, and their relationship to Microphone Technique
- The Quality of Professional Surround Audio Reproduction, A Survey Study
- Reverb and Room Simulation in the Multichannel Era
- Spherical Harmonic Coding of Sound Objects - the Ambisonic 'O' Format
- Stereo Width Control based on creation of Virtual Soundfield
- Studies on Main and Room Microphone Optimization
- A Study on Loudspeaker Arrangement in Multi-Channel Transaural System for Sound Image Localization
- Subjective evaluation of the Optimal Source Distribution system for virtual acoustic imaging.
- Surround Sound Beyond 5.1
- Surround Sound Encoding for Consumer Applications
- Surround-Sound Reverberation using Digital Waveguide Mesh Modelling Techniques
- Unraveling the perception of spatial sound reproduction: Techniques and experimental design
- Using MATLAB/Simulink as an implementation tool for Multi-Channel Surround Sound
- Utilizing Omnidirectional Microphone Arrays for Surround Field Recording
- Verification and correlation of attributes used for describing the spatial quality of reproduced sound






