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Audibility of a CD-Standard A/DA/A Loop Inserted into High-Resolution Audio Playback - September 2007
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Reflecting on Reflections - June 2014
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Quiet Thoughts on a Deafening Problem - May 2014
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3D Audio as an Information Environment
 
The Ambiophone Derivation of a Recording Methodology Optimized for Ambiophonic Reproduction
 
Ambiophonic Principles for the Recording and Reproduction of Surround Sound for Music
 
Ambiophonics Reproduction of Different Stereo Recordings
 
The analysis of multi-channel sound reproduction algorithms using HRTF data.
 
Approach and Mixing Technique for Natural Sound Recording of Multichannel Audio
 
Automatic Speaker Directivity Control for Soundfield Reconstruction
 
Binaural Room Scanning and Binaural Room Modeling
 
A challenge in multichannel music recording
 
A Computer System for Investigating and Building Synthetic Auditory Spaces - Part II
 
Counter-Tenor with Baroque Ensemble in 5-Channel Surround
 
Designing Surround Sound Facilities for Higher Education
 
Discovering the Influence of Visual Stimuli on the Perception of Surround Sound Using Genetic Algorithms
 
Encoding Spatial Information for Advanced Teleconferencing
 
Enhancements of Room Simulation with Dynamic Cues Related to Source Position
 
General Considerations on Audio Multi-Channel Recording
 
A Hybrid Model for Simulating Diffused First Reflections in Two-Dimensional Synthetic Acoustic Environments
 
Interaural time difference fluctuations: their measurement, subjective perceptual effect, and application in sound reproduction
 
A method to convert stereo to multi-channel sound
 
Microphones with Multi-channel Output
 
Mixing within a 5.1 Surround Sound Field to Enhance an Acoustic Recording and to Enhance the Simulation of Acoustic Instruments using a MIDI Sound Source
 
An MPEG-oriented platform for Wave Field Synthesis arrays of loudspeakers
 
Multichannel Signal Processing Tools - differences to multiple single channel processing
 
Multi-channel Sound Control Room in NHK - Design policy and guideline
 
Multichannel Sound Recording of Music: Practical and Technical Aspects
 
Natural 5.1 Music Recording Based on Psychoacoustic Principals
 
A New Active Matrix Decoder for Surround Sound
 
The Number of Loudspeaker Channels
 
Optimization of Binaural Room Scanning (BRS): Considering inter-individual HRTF-characteristics
 
Optimizing Surround Sound Systems
 
PC Based Real-Time Multichannel Convolver for Ambiophonic Reproduction
 
Practical Surround Sound Production Part-1: Radio Drama
 
Practical Surround-Sound-Production - Part 2: TV-Documentaries
 
The Psychoacoustics of Listening Area, Depth, and Envelopment in Surround Recordings, and their relationship to Microphone Technique
 
The Quality of Professional Surround Audio Reproduction, A Survey Study
 
Reverb and Room Simulation in the Multichannel Era
 
Spherical Harmonic Coding of Sound Objects - the Ambisonic 'O' Format
 
Stereo Width Control based on creation of Virtual Soundfield
 
Studies on Main and Room Microphone Optimization
 
A Study on Loudspeaker Arrangement in Multi-Channel Transaural System for Sound Image Localization
 
Subjective evaluation of the Optimal Source Distribution system for virtual acoustic imaging.
 
Surround Sound Beyond 5.1
 
Surround Sound Encoding for Consumer Applications
 
Surround-Sound Reverberation using Digital Waveguide Mesh Modelling Techniques
 
Unraveling the perception of spatial sound reproduction: Techniques and experimental design
 
Using MATLAB/Simulink as an implementation tool for Multi-Channel Surround Sound
 
Utilizing Omnidirectional Microphone Arrays for Surround Field Recording
 
Verification and correlation of attributes used for describing the spatial quality of reproduced sound
 
 
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AES - Audio Engineering Society