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Posted: Friday, September 23, 2016
The Audio Engineering Society (AES) East Coast convention in 2017 will be co-located with NAB Show New York at the Javits Convention Center in New York City, event organizers announced today. The AES annual fall USA Convention will be held October 18-21, 2017 and NAB Show New York will be held October 18-19, 2017. The adjacent location of these events creates the most comprehensive and largest media and entertainment event held on the East Coast with over 600 exhibitors.
“Audio is the expertise of the AES, and NAB Show New York highlights expertise in video and content distribution. For today’s media professionals, it makes perfect sense for these two events to take place side-by-side, complementing each other’s missions, benefiting each other’s memberships and increasing the opportunities for all attendees,” said Bob Moses, Executive Director, Audio Engineering Society.
NAB Show New York showcases the best in next-generation technology for media, entertainment and telecom professionals, with conferences and workshops focused on television, film, satellite, online video, live events, corporate A/V, production and post. In 2015, the event hosted more than 7,200 attendees and 300 exhibitors. Traditionally held in early November, NAB Show New York is moving to October in 2017.
The Audio Engineering Society is a member organization of audio professionals and students with more than 12,000 members from across the globe. The society’s annual conventions are the largest gatherings of audio professionals in the world and include workshops, tutorials and technical papers. The 2015 AES Convention in New York had nearly 18,500 registrants and 300 audio-centric exhibitors.
“The co-location of NAB Show New York with the AES New York convention will create a powerful, exciting and more comprehensive fall opportunity for media professionals,” said NAB Executive Vice President of Conventions and Business Operations Chris Brown. “Given the co-dependence of audio and video, we see this as absolutely the right thing to better serve the industry overall. We expect it to drive an enhanced experience for all involved.”
Posted: Monday, September 12, 2016
There’s never been a better time to join the Audio Engineering Society, with new Member Benefits including full access to the AES E-Library, exclusive discounts and services, and the status of membership in the world’s premier professional audio organization. Join or Renew membership with the AES before now to gain instant access to the world’s largest collective of audio industry resources, as well as significant savings on attending the upcoming AES Los Angeles Convention, taking place Thursday, September 29 – Sunday, October 2, 2016, at the Los Angeles Convention Center.
As the driving force behind many groundbreaking audio innovations over the past six decades, the Audio Engineering Society remains at the forefront of science and practice across the full range of professional audio disciplines. From the pioneering days of pro audio in the 1950’s, to present developments in networked and spatial audio, virtual and augmented reality, streaming, signal processing, and the latest recording and production technologies and techniques, the AES offers an incredible legacy of information in its E-Library. This online, searchable repository contains every paper, AES Standard, and Electronic Brief ever published, and is free to all membership types – Members, Associate Members and Student Members. Combined with deep discounts on AES events, access to the growing library of streaming videos featuring industry leaders on a variety of topics, eligibility for AES awards, and full participation in the global community of audio professionals, AES Membership is a no-nonsense way to invest in yourself and the industry like never before.
Posted: Wednesday, August 31, 2016
— AES Member Services
Posted: Tuesday, August 30, 2016
The Audio Engineering Society has unveiled the detailed calendar of events for the highly-anticipated 141st AES International Convention in Los Angeles, taking place Thursday, September 29 – Sunday, October 2, 2016. With a full range of events and presentations spanning all segments of the audio industry, the AES Los Angeles Convention offers four full days of information and inspiration, led by industry leaders in science and practice, with attendance packages suited for every level of audio professional, student or enthusiast. From the latest research and technology presentations to the largest pro audio gear exhibition and showcase of the year, with many of the greatest ears in audio in attendance, the AES Los Angeles Convention is the place to truly immerse yourself in audio. Best of all, many events, including the gear exhibition, are FREE to attend with an Exhibits-Plus badge, or attendees may choose to maximize their experience with an All Access badge for admission to the complete technical program. The preliminary calendar is available at http://www.aes.org/events/141/program/. Early-bird pricing ends August 30; register now for the very best deals on the convention program and on accommodations while in Los Angeles.
Posted: Tuesday, August 16, 2016
Audio Engineering Society members now have full access to the AES E-Library as a membership benefit. “AES has been the driving force behind most, if not all, audio innovation over the past six decades,” notes Bob Moses, AES Executive Director, “From the early days of pro audio in the 50’s, to present developments in networked and spatial audio, virtual and augmented reality, streaming, signal processing, the Society has been at the forefront of development in both science and practice across the full range of professional audio disciplines. The AES E-Library documents this incredible legacy in one searchable, online database, with every paper, AES Standard, and Electronic Brief ever published – it’s not just the papers, but the papers that led to the papers. It’s an incredible asset, and we are opening it up to all AES Members as we strive to provide high value in our membership package.” Full access to the E-Library is free to all membership types – Members, Associate Members and Student Members.
A modest increase in membership dues – which have remained the same for over a decade – will begin September 1, 2016. New members can sign up, and existing members can renew, at the current rates for the month of August. Multiple years of membership, up to five, can be purchased now at the lower rate.
“The E-Library joins other AES Member benefits such as deep discounts on AES events, access to our growing library of streaming videos featuring industry leaders on a variety of topics, eligibility for awards, and full participation in our global community of audio professionals,” says Alex Case, AES President-Elect and Membership Committee co-chair. “The value of membership has increased well beyond the new dues rates, particularly when compared to the former cost of membership and an E-Library subscription combined. Now is the time to take advantage of these benefits at the old rates.” Membership dues provide the most significant funding of AES’s mission to promote and disseminate advances in the audio sciences and its practical application.
As of September 1, 2016, annual dues for AES Members/Associate Members will be $125. Annual dues for AES Student Members will be $50.
Posted: Thursday, August 11, 2016
— AES Member Services
Posted: Thursday, July 28, 2016
AES incoming President-Elect, David Scheirman
The AES has released the list of winning candidates from the balloting in the 2016 Audio Engineering Society international elections. The newly elected officers will assume their roles in October, shortly after the end of the 141st International AES Convention in Los Angeles. Entering the office of President-Elect is David Scheirman, who will serve first on the AES Board of Governors and Executive Committee as President-Elect, assuming the Presidency in October, 2017 for a one-year term.
Newly elected Governors and new and re-elected Vice Presidents, all beginning two-year terms in October are:
Secretary: Valerie Tyler
Vice President Eastern Region, US & Canada: Anthony Schultz
Vice President Western Region, US & Canada: Leslie Gaston-Bird
Vice President Northern Region, Europe: Per Sjosten
Within the stipulations of the AES bylaws, the overall function and direction of the AES is established by the Society’s Board of Governors, which is elected by voting members of the Society. The Society’s Executive Director operates and manages the AES headquarters in New York City, NY, and reports to the Executive Committee, which consists of the Society’s corporate officers. In turn, the Executive Committee reports on its activities and on issues facing the Society to the full Board of Governors. The AES President serves as the CEO of the Society, under the supervision and direction of the Board of Governors.
The Board of Governors consists of:
(1) the Society’s corporate officers (President; President-Elect; Immediate Past-President; Secretary; and Treasurer)
(2) the Treasurer-Elect (when there is an incoming Treasurer)
(3) the eight Regional Vice-Presidents (Eastern USA/Canada; Central USA/Canada; Western USA/Canada; Northern Europe; Central Europe; Southern Europe; Latin America; International)
(4) and eight Governors-at-Large
For more information on the AES and how to become involved visit aes.org.
Posted: Wednesday, July 20, 2016
Register Now for the AES Los Angeles Convention, September 29 — October 2
Use promo code AES141WEB at checkout for FREE Exhibit-Plus badge to the year's largest pro audio event!
The Audio Engineering Society International Convention returns to the Los Angeles Convention Center, Thursday, September 29 – Sunday, October 2, 2016. Exhibits-Plus badges are FREE with advance registration, by using the promo code AES141WEB at checkout. Exhibits-Plus access includes the gear exhibition (September 29 – October 1), as well as the Project Studio Expo, Live Sound Expo, Special Events and more. Premium All Access badges offer access to all of these, the full Technical Program, and more. Visit aesshow.com to Register Now!
Posted: Tuesday, July 12, 2016
Listeners can hear a difference between standard audio and better-than-CD quality, known as high-resolution audio, according to a new study published in the June issue of the Journal of the Audio Engineering Society (JAES) by Dr. Joshua Reiss of the Centre for Digital Music, Queen Mary University of London (QMUL).
The meta-study compared data from 18 studies involving 450 participants listening to samples of music in different formats. In total, the studies involved over 12,000 different trials where participants were asked to discriminate between formats. Overall, listeners could distinguish between the formats, especially if they had been trained to hear a difference. This is the first time that formal meta-analysis techniques have been applied to audio engineering research.
In addition to training, the research suggested that careful selection of stimuli, including use of long duration samples, may play an important role in the ability to discriminate. Studies that did not show an ability to discriminate were generally more prone to biases or flaws in their design. Reiss concluded that “the perceived fidelity of an audio recording and playback chain is affected by operating at a resolution higher than the CD standard.”
“Audio purists and industry should welcome these findings,” said Reiss. “Our study finds high-resolution audio has a small but important advantage in its quality of reproduction over standard audio content. Trained listeners could distinguish between the two formats around sixty percent of the time.” Dr. Reiss explained, “One motivation for this research was that people in the audio community endlessly discuss whether the use of high-resolution formats and equipment really makes a difference. Conventional wisdom states that CD quality should be sufficient to capture everything we hear, yet anecdotes abound where individuals claim that hi-res content sounds crisper, or more intense. And people often cherry-pick their favorite study to support whichever side they’re on.” He continued, “We gathered 80 publications in the field, and analyzed all available data, even asking authors of earlier studies for their original reports from old filing cabinets. We subjected the data to many forms of analysis. The effect was clear, and there were some indicators as to what conditions demonstrate it most effectively. Hopefully, we can now move forward towards identifying how and why we perceive these differences, and better experimental design.”
When asked about the type of content for which high-resolution recording and playback most made a difference, Dr. Reiss responded, “The jury is still out. The studies that most showed an effect mainly used jazz and classical music, but this wasn’t exclusive. We looked at lots of factors like choice of content and equipment. Results suggested that listeners often needed to listen to each sample for more than 30 seconds, but possible factors were mostly overshadowed by training test subjects in critical listening skills specific to the test, and in general, good experimental design.”
The Journal of the Audio Engineering Society features peer-reviewed papers reporting research in the audio arts and sciences, along with Section and AES event coverage. Full JAES access is a member-benefit. As an Open Access document, Dr. Reiss’ research can be freely downloaded here: http://www.aes.org/e-lib/browse.cfm?elib=18296
Posted: Monday, July 11, 2016