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- First Book in "AES Presents" Series from Focal Press
- New edition of Handbook for Sound Engineers, edited by Glen Ballou
- 137th Audio Engineering Society Convention Breaks Records and Draws Acclaim from Attendees, Exhibitors and Presenters Alike
- Convention reminds West-Coast audio community, “If It’s About Audio, It’s At AES!”
- AES 2014 Election Results
- The results are in!
- Time to Vote: 2014 AES Elections
- Deadline was Friday, July 11th
Television Instant Replay
Television Instant Replay
Ampex used a new approach, spinning a metal disc at 1800 rpm with a series of recording heads moving across the platter making 30 video tracks per second to record 30 seconds of normal motion. Each track held one video frame. If the heads were slowed down, less than 30 tracks were played back at 1800 rpm, creating the slow motion effect. If the heads were stopped as the platter continued to spin at 1800 rpm, a freeze frame was created. John Poole at Ampex was the project manager, having developed the metal disc for the Videofile Information System at Ampex that would be commercially introduced in 1968. This system retrieved doument images stored on videotape and duplicated them on disc recorder workstations so office personnel could view the documents in "instant replay" stop-action format. In March, 1967, the Ampex HS-100 color video magnetic disc recorder was used for rapid playback in normal, slow, or stop action, for the "World Series of Skiing" program from the U.S. Ski Championships in Vail, Colorado, marking the beginning of instant replay on commercial television.
The Ampex device was another milestone in the history of magnetic recording. Valdemar Poulsen patented the first magnetic recorder, called the telegraphone, using steel wire in Denmark in 1898. George Baird in Britain recorded video programs on magnetic disc in 1927. Fritz Pfleumer in Germany patented the application of magnetic powders to strips of paper or film in 1928, leading AEG to develop the Magnetophone tape recorder by 1935, with cellulose acetate tape from BASF. Clarence Hickman at Bell Labs developed a magnetic telephone message recorder in 1934 that used longitudinal recording with laminated Permalloy heads on cobalt steel wire. Ampex developed a tape recorder for Bing Crosby and the ABC radio network in 1948. Andrew Donald Booth in Britain built the first magnetic drum memory for the Manchester computer in 1948. Ampex introduced the VR-1000 videotape recorder for professional broadcasting in 1956, used by NBC on Nov. 30 to tape delay the news broadcast of Douglas Edwards for the West Coast. In 1959 Toshiba of Japan developed the helical scan videotape recorder, and was joined by Ampex and Sony to produce large 2-inch helical-scan professional recorders. In 1963 Ampex introduced the industry-standard EDITEC electronic video editor allowing frame-by-frame recording control. By 1965, Ampex led the industry with its transistorized color highband VR-2000. in 1967, the briefcase-size portable VR-3000 video recorder was introduced and used at the 1968 Summer Olympics in Mexico City to follow, for the first time, the runners in the cross-country race event.
- Nmungwun, Aaron Foisi. Video Recording Technology: its Impact on Media and Home Entertainment. Hillsdale, N.J. : L. Erlbaum Associates, 1989, pp. 180-181.
- "The Early History of Ampex." undated mss, Ampex Corporation, Redwood City, CA.
- "Years of Video Recording" by William Slatkin, Product News manager, Ampex Corporation, in Electronics World, Nov. 1971, pp. 36-38.
- HS-100 - quotes specifications from the 1967 Ampex sales brocure - from Museum of Early Video Editing Equipment and Techniques
- 1967: Ampex Instant Replay Disk Recorder has a photo of the HS-100, from CED in the History of Media Technology
- 57 Years of Innovation from Ampex Data Systems
- Chronology of Ampex Professional Products
- Video Editing from Museum of Broadcast Communications Archives
- MVR Model VDR-210CF-1 from the Vidipax Museum of Magnetic Recorders has a photo of the recorder built for CBS in 1965
- 1999-2002 by Steven E. Schoenherr. All rights reserved.
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