In This Section
A Meta-Analysis of High Resolution Audio Perceptual Evaluation - June 2016
Synthetic Reverberator - January 1960
Sound Board: High-Resolution Audio - October 2015
AES Member Profile
- Recording Industry - Location Sound Recording
- Recording Industry - Music Recording/Mix Studio
- Live Sound - Concert Sound
- Live Sound - Public Address
- Live Sound - Church Sound
- Product Design & Manufacturing - Hardware
- Author/Journalist/Technical Writer
- Hardware Designer
- Recording Engineer
- Sound Designer
- Systems Designer
My practice encompasses recording, live sound, sound system design & troubleshooting, technical writing, product design and evaluation. I don't do lights. I don't do video.
Over 40+ years experience, with roles ranging from live sound and recording to circuit design, system design and sales and marketing.
These days, I am emphasizing remote recording for acoustical music.
AES E-Library Collections
Non-AES Awards & Award Nominations
us patent 2033679
olympic college 1965-1967
us air force, 1967-1971
US Air Force
Audio Graphic Systems
Kaye Smith Studios
John Fluke Manufacturing
Audio Control Industrial
Mackie Designs, Inc.
Uneeda Audio Systems
FCC General Radiotelephone License (was known as 1st Class Radio Telephone License)
Amateur Radio License: KD7AYL
Why Am I An AES Member?
When I joined AES (1970) it was one of the few ways that information about audio beyond what was in consumer magazines could be found. There was no internet, the personal computer had yet to be invented. The Journal was an oasis in a vast desert.
I've remained a member all these years because of the social nature of the society, especially at conventions and Section meetings. Membership has also allowed me to contribute in a small way to the Society's mission of connecting the art and science of audio, something that I feel is highly necessary given the culture of pseudo-science that pervades much of our field.
AES Member Profiles
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