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Synthetic Reverberator - January 1960
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Multichannel Sound Reproduction Quality Improves with Angular Separation of Direct and Reflected Sounds - June 2015
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Clean Audio for TV broadcast: An Object-Based Approach for Hearing-Impaired Viewers - April 2015

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AES Member Profile

Eric Seaberg

Eric Seaberg

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Audio Fields:

  • Recording Industry - Post Production
  • Recording Industry - Music Recording/Mix Studio
  • Recording Industry - Archiving/Restoration
  • Recording Industry - Internet Distribution
  • Recording Industry - Film/Video Sound
  • Recording Industry - Location Sound Recording
  • Broadcasting - Radio
  • Broadcasting - Television Sound

Job Duties:

  • Engineer
  • Mastering Engineer
  • Mixer
  • Producer
  • Production Sound Mixer/Sound Recordist
  • Recording Engineer
  • Re-Recording Mixer
  • Sound Supervisor


Turning Point is the Radio and Television Ministry of Dr. David Jeremiah in San Diego, CA. Our radio program is heard worldwide, including over 2000 times per day in the US alone. We have a 45' HDTV Remote Truck using Sony cameras, tape and switching, AVID Media Composer and 128-channels of ProTools fed from an SSL C200 console. The audio also includes a complete Dolby E system for 5.1+2 encode/decode. Our post facility houses 3-Avid suites, FCP/Graphic suite and 4-ProTools suites with studios.

Related Experience

Member of S.P.A.R.S and S.M.P.T.E.

Why Am I An AES Member?

Been in the industry since 1971 doing EVERYTHING, from session recording and mixing to lacquer cutting for vinyl releases, cassette hi-speed mastering and duplication, video post-production using ¾" video synced to 2" Studer analog tape and mixing on Harrison consoles with layback to 1" video, CD mastering beginning with Sonic Solutions, to current tech using SSL digital consoles in the 'file-based' post-production world.

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AES - Audio Engineering Society